Odun Oloyin (“Year of Honey”) is a choral composition for SATB voices with piano
accompaniment, written in a tonal, diatonic, and melodic style. Set in E-flat major and cast in a compound duple metre (6/8), the work unfolds in a through-composed design articulated as
A–B–C–D–A.
Nyem Ejima is an Igbo sacred choral composition grounded in the language of supplicatory prayer. Its recurring petition, “Nyem ejima” (“Give me twins”), invokes a culturally resonant symbol within Igbo cosmology, where twins embody abundance, divine favour, continuity, and communal joy.
Edunjobi (“Eulogy of Twins”) is a vocal composition with piano accompaniment that draws on Yoruba cultural symbolism associated with twin birth. Written in a tonal and melodic style, the work is set in C major and cast in a compound 6/8 metre, whose natural grouping of two sets of three quavers creates a lilting, rolling motion characteristic of many African vocal idioms
The composition Eche Adambara draws its inspiration from Palm Sunday celebrations in Ebira-land, where Christian communities undertake processional road rallies through the town, singing a succession of devotional songs as they move.
The composition “The Man Speaks Roughly to Us,” is a scene from the opera book, “Joseph and His Brothers,” composed by the author. The dramatic encounter of Joseph’s brothers in Egypt with that of Joseph himself is narrated in a reporting speech to their father Jacob; and Jacob’s reaction to his son’s narrative is the story of this composition.
This paper examines The Tale of Nza and Obu, a creative composition inspired by Igbo folklore and arranged as a children’s choral piece. The work draws upon indigenous storytelling traditions and integrates African musical idioms to communicate enduring lessons on humility, pride, wisdom, and survival.
The composition Jesu Ti De S’aye draws its inspiration from the biblical narrative of Jesus Christ’s birth. It reflects the journey of the three wise men who followed the star to Bethlehem, capturing the joyous essence of the Nativity.
The music “Iya” began with a four-bar introduction played by the piano instrument. This piece, a code mix of Yoruba and English was performed as an Opera in a concert organised by Blessamoss Music School in Owerri, with the theme: “Minstrel sings Mysteries".
Ayo Olopon (Board Game), composed by Ademola Adedoyin Oluwaseun in 2024, is a vocal-instrumental work that
celebrates the traditional Yoruba game of Ayo Olopon. The composition not only highlights the cultural beauty of the
game but also narrates the intellectual contest between players through its rhythmic structures and compositional
techniques.