‘Tiwa ati Tiwon’ (Ours and Theirs): Interrogating the Intersection Between Western Musical Training and Indigenous Knowledge Systems in Composing African Art Music

African art music has generated sustained scholarly interest, particularly regarding its identity, pedagogical foundations, and the creative strategies through which composers negotiate the relationship between Western musical training and Indigenous Knowledge Systems (IKS).

See Composition‘Tiwa ati Tiwon’ (Ours and Theirs): Interrogating the Intersection Between Western Musical Training and Indigenous Knowledge Systems in Composing African Art Music

Rhythmic Architecture and Tonal Identity in Afrobeats: A Compositional Analysis of Selected Contemporary Nigerian Works

Afrobeats, the contemporary Nigerian pop genre that emerged in late-1990s Lagos, draws on jùjú, highlife, hip hop, and electronic production while remaining distinct from the earlier Afrobeat tradition.

See CompositionRhythmic Architecture and Tonal Identity in Afrobeats: A Compositional Analysis of Selected Contemporary Nigerian Works

Music in the Service of Politics of Acrimony: A Textual and Socio-Musical Analysis of ‘B’Oju W’ole’ and ‘Ilé Ologo’

The intensification of political intolerance, moral decline, and social fragmentation in contemporary African societies has renewed interest in cultural and religious media capable of fostering ethical consciousness and social reform.

See CompositionMusic in the Service of Politics of Acrimony: A Textual and Socio-Musical Analysis of ‘B’Oju W’ole’ and ‘Ilé Ologo’